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Danse macabre, Op. 40, is a tone poem for orchestra, written in 1874 by the French composer Camille Saint-Saëns. It is in the key of G minor. It started out in 1872 as an art song for voice and piano with a French text by the poet Henri Cazalis, which is based on an old French superstition. In 1874, the composer expanded and reworked the piece into a tone poem, replacing the vocal line with a solo violin part. Compre vinil, CDs e muito mais deManuel Rosenthal no Mercado macabre, Op. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Kurt Wöss, Berlin Symphony Orchestra, Camille Saint-Saëns. Danse Macabre. Le Cygne. Camille Saint-Saëns, Orchestre symphonique de Québec, Fabien Gabel, Stéphane Tétreault. Danse Macabre first performed in 1875 is the name of opus 40 by French composer Camille Saint-Saëns. The composition is based upon a poem by Henri free to Camille Saint-Saëns Saint-Saëns: Le Carnaval des Animaux Phaéton Danse Macabre etc. Le Carnaval des Animaux: Introduction Et Marche Royale Du Lion, Le Carnaval des Animaux: Poules et Coqs and more. 17 tracks 46:40. Play album. Get album. Camille Saint-Saëns 1835-1921 was a French Romantic composer, pianist, organist, and teacher. Born in Paris on 9th October 1835, Saint-Saëns was a child prodigy. He had lessons with Camille-Marie Stamaty and Alexandre Pierre François Boëly, going on to the Paris Conservatoire in 1848, where he was taught by Fromental Halévy. Danse macabre musique Danse macabre camille saint-saëns Danse Macabre Camille Saint-Saëns Danse macabre Camille Saint-Saens Danse macabre Camille Saint-Saëns Danse Macabre compositie Danse macabre compositie Danse macabre, Op. 40 ระบำมรณะ แซง-ซองส 骷髏之舞 聖桑 Danse Macabre Saint-Saens. Saint-Saëns expanded this into the famous symphonic poem two years later. Liszt's virtuoso piano transcription dates from 1875 or 1876. Saint-Saëns: Danse macabre, by Philharmonia Orchestra and Charles Dutoit. Listen Now . The 'Danse macabre' started life as a setting of a poem which told of Death playing his fiddle in a wintry churchyard at midnight while skeletons dance to his ghost tune. In the symphonic poem this effect is enacted by a slithering waltz on solo violin later accompanied by clacking bones from the xylophone and finally by wailing chromatic passages from clarinet, flute and bassoon. Camille Saint-Saëns: Danse Macabre. Just like a philosopher, a composer usually, at some point, tackles the big philosophical issues in his music. Find out more about Saint-Saëns's Danse Macabre, theme to TV's Jonathan Creek. Watch and listen to different recordings and download your favourite. Saint-Saëns happened on the subject in the early 1870s, originally setting to music a strange, art-house poem by Henri Cazalis, which has the first line Zig, zig, zig, death in cadence. Originally it was for voice and piano but, thankfully, Saint-Saëns reworked it a couple of years later, substituting a violin for the voice and adding the full orchestra. Suddeutsche Philharmonie, Hanspeter Gmur, Camille Saint-Saëns. Variation II: Pour le danseuse-Danse de la fee Dragee. Andante ma non troppo - Presto Dance of the Sugar-Plum Fairy. Vladimir Fedoseyev, RTV Moscow Large Symphony Orchestra, Pyotr ilyich tchaikovsky

Download Saint-Saëns, Arthur Grumiaux, Roberto Benzi, Manuel Rosenthal - Danse Macabre, Le cygne,
Saint-Saëns, Arthur Grumiaux, Roberto Benzi, Manuel Rosenthal
Danse Macabre, Le cygne,
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