Download Meshuggah - Catch Thirtythree
Tracklist
1 | The Paradoxical Spiral |
2 | Sum |
3 | In Death - Is Life |
4 | Personae Non Gratae |
5 | Dehumanization |
6 | Imprint Of The Un-Saved |
7 | Entrapment |
8 | Re-Inanimate |
9 | Disenchantment |
10 | In Death - Is Death |
11 | Shed |
12 | Autonomy Lost |
13 | Mind's Mirrors |
Versions
Category | Artist | Title (Format) | Label | Category | Country | Year |
---|---|---|---|---|---|---|
NB 1311-2, 27361 13112 | Meshuggah | Catch Thirtythree (HDCD, Album) | Nuclear Blast, Nuclear Blast | NB 1311-2, 27361 13112 | Germany | 2005 |
NB 3201-0, 3201-0 | Meshuggah | Catch Thirtythree (CD, Album, Dlx, Ltd, RE, Dig) | Nuclear Blast, Nuclear Blast | NB 3201-0, 3201-0 | US | 2013 |
NB 1311-2, 27361 13112 | Meshuggah | Catch Thirtythree (CD, Album) | Nuclear Blast, Nuclear Blast | NB 1311-2, 27361 13112 | Germany | 2005 |
NB 4669-1, 27361 16691 | Meshuggah | Catch Thirtythree (LP, Sil + LP, S/Sided, Sil + Album, Ltd, RE, RM) | Nuclear Blast, Nuclear Blast | NB 4669-1, 27361 16691 | Europe | 2019 |
MR 1862-2 | Meshuggah | Catch Thirtythree (CD, Album) | Moon Records | MR 1862-2 | Ukraine | 2006 |
Credits
- Artwork [Cover Art], Design Concept [Concept By] – Tomas Haake
- Booking [Europe And Non-U.S] – EMA Telstar, Jim Moorewood
- Booking [Scandinavia] – Luger Production, Patrick Fredriksson
- Booking [U.S Booking] – CAA Creative Artists Agency, Marlene Tsuchii
- Drum Programming – Meshuggah
- Guitar, Bass – Fredrik, Jens, Mårten
- Lyrics By [Catch 33 Lyrics By] – Mårten Hagström, Tomas Haake
- Mastered By – Björn Engelmann
- Mixed By – Fredrik Thordendal, Meshuggah
- Vocals – Jens Kidman
- Vocals [Spoken] – Tomas Haake
- Written-By, Engineer, Producer – Meshuggah
Notes
This album was recorded at Fear & Loathing, Stockholm, Sweden
Mastered at Cutting Room
Special one-time only release limited to 300 copies.
Barcodes
- Barcode: 7 27361 46695 4
Companies
- Recorded At – Fear And Loathing Studios
- Mastered At – Cutting Room
- Phonographic Copyright (p) – Nuclear Blast GmbH
- Copyright (c) – Nuclear Blast GmbH
Video
Album
Because this is one piece of music and should be listened to as such. It was released on 16 May 2005 in Europe and on 31 May 2005 in North America, through Nuclear Blast. Catch Thirtythree entered the Billboard 200 chart at number 170. Meshuggah released a music video for the song Shed. The song is also featured on the Saw III soundtrack. Although Catch Thirtythree is printed as a full-length album with thirteen songs, it is actually a single continuous suite. The band themselves have said. Catch Thirtythree - Meshuggah. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Catch Thirtythree. Исполнитель: Meshuggah. 2005 progressive metal. Album 2005 13 Songs. Metal free to Meshuggah Catch ThirtyThree Autonomy Lost, Imprint Of The Un-Saved and more. 13 tracks 47:07. Meshuggah - Re-inanimate. Meshuggah - In Death - Is Death. Total votes: 0. Other albums by Meshuggah. Progressive Metal. Type: Full-length. Release date: May 16th, 2005. Catalog ID: NB 1311-2, 27361 13112. The album is one song broken up into 13 parts. Recording information: Recorded at Fear & Loathing in Stockholm, Sweden. Identifiers: Barcode: 727361131128 Matrix, Runout Variant 1: LU029483 NB 1311-2 01 A01 Technicolor Matrix, Runout Variant 2: CAP01284 NB 1311-2DLT 01 OMM Technicolor Mastering SID Code Variant 2: IFPI LR77. Added by: mikewho. Modified by: Gelordum. Meshuggah - Catch Thirtythree 2005. Catch Thrirtythree is the fifth full length album from Meshuggah. The album is essentially one incredibly long song broken up into the thirteen tracks of the album. The lyrics of the album are essentially meaningless as almost all of the lyrics are contradictions, hence the title Catch Thirtythree. Catch Thirtythree Q&A. Producers Meshuggah. Writers Mårten Hagström & Tomas Haake. More Meshuggah albums. The Violent Sleep of Reason. Pitch Black. Show all albums by Meshuggah. Meshuggah's latest, Catch Thirty-Three can be accurately described as what would happen when a robot tried to emulate Pantera. The tempos chug rather than race, the riffs are dark, distorted, and repetitive, and the vocals sound like Phil Anselmo without being annoying, in a sort of thrash-growl-gone-death-metal. The drums batter and batter away, they are programmed on this record due to time constraints and the excuse of experimentality, but they still sound fresh and organic: 44 tempos are combined with maniacal odd-timed polyrhythmic passages that underscore the artificial
